SUMMER

2026 | Volume Four


Genre cover by G. J. Gillespie

POETRY


Genre cover by G. J. Gillespie

Lobular

Sheila Black

When I said to you / we would walk through the fields of sunflowers, / and I did not know I was lying.”

Walking the Neighborhood

Sheila Black

I am learning to unmake / myself as if in preparation, unboxing, yielding.

You, Abstracted

Juliana Briggs

Never did I consider the chickadees / or the Carolina Wren until I was stood / in blue light while the VCR spit out the tape again / and again like a dollar in a hospital / vending machine.”

The Astronaut

Ambrielle Butler

“in my / dreams you never land, drifting somewhere, solar bound.”

PROSE


Genre cover by G. J. Gillespie

Genre cover by G. J. Gillespie

“Its legs, thin and long like a black and white spider, moved fitfully against the floor of the barn. Mother and Father talked quietly about killing it.”

Egon and the Two-Faced Cow

Jillian Wardell | Fiction

A Transience

Benjamin Ficklin | Fiction

“Two people stop to consider taking the painting, but both can’t think of where they would place an image that hurts so much to behold.”

“She saw the hole in the wall. Past it, darkness. And it writhed then—the kitten—but she’d not set it down. The phone rings screamed from the phone in the kitchen. And it cried. Her cat cried.”

Caterwaul

Casey McConahay | Fiction


Love Can Make You Happy

Issue cover by G. J. Gillespie

Abstract mixed media artwork composed of various textured papers, paint, and collage elements in vibrant hues including yellow, red, black, and white.

Why is this piece your Trace Fossil?

“I title all my work after songs—rock, pop, folk, classical—as a way of grounding abstraction in shared cultural memory. "Love Can Make You Happy" is a 1969 pop song, simple and earnest. But the piece itself was inspired by the figurative abstractions of Arshile Gorky, one of the mid-century painters I return to most. Working in the tradition of the Pacific Northwest Mystics alongside Gorky, de Kooning, and Hofmann, I believe art should do more than please — it should evoke connotations that permit the viewer to experience a sense of wonder, awe, and new perspectives of being. This piece leaves that imprint: a figure half-emerging from layered ground, caught between the lyrical simplicity of a pop song and the psychological depth of mid-century abstraction.”

GJ Gillespie is a mixed-media collage artist living in a 1928 Tudor Revival farmhouse overlooking Oak Harbor on Whidbey Island, north of Seattle. Inspired by mid-century abstract expressionism and the Northwest Mystics, he layers found papers, tissue, acrylic, and graphite into compositions drawn from mythology, music, and shared cultural memory, titling each work after a rock, pop, or folk song. Winner of 19 awards, his art has appeared in 74 exhibitions and 217 publications. He has completed six residencies at the University of Washington Whiteley Center, Friday Harbor Labs. When he is not making art, he runs Leda Art Supply, his international premium sketchbook brand.